<p>The crucial 
conceptual feature of such work, though, is that it’s designed for 
disappearance. Visitors are invited to take printed sheets of paper from
 the stacks, roll them up and carry them home. Candy is free for the 
grabbing. Pick up a piece, put it in your pocket, pop it in your mouth, 
maybe take another.</p>
<p><strong>Mutability is 
built into most of this artist’s work.</strong> This is true of the text-based 
installations generically called portraits, three examples of which are 
here. Each takes the form of a run-on list of cultural references — 
“Jaws 1975 Black Monday 1987 Grace 2021 Thelma 1989 Lockdown 2020” — 
presumably pertinent to the portrait’s “sitter,” with the list painted 
in horizontal sequence high on the wall of a room or gallery.</p>